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REVIEWPLAYS PICKS TOP TEN OF 2003

In a year filled with astonishing world events, the activity of a little website dedicated to theatre certainly seems insignificant.  However, the activities chronicled in said website are not.  More than ever, theatre is taking a major role in placing a mirror on the events of the world, in stating the complex, and pointing out the foibles of those who believe they are right.  Of the more than one hundred plays reviewed this year, there is not one that didn't have some significant social commentary - whether in comedy or tragedy, musical or mime.  Some were better done than others, and most were performed by people who have a dual role.  First they are theatre people - then they do something else to earn their survival.  But all have the same passion and commitment, and anyone of the people mentioned on these pages would, in a heartbeat, drop what they're doing now to follow a promising role, an exciting project, a possible dream.

That we are invited to ride the coattails of these people is both an honor and a humbling experience, and even more so when people read the opinions and comments.  The fact that about one thousand people a day visit these pages and often copy what we say, to place on their website, is even more unbelievable and astonishing.  How can anyone say what was the best and what was not?  Since that is a task far beyond our ability, we can only list a few of the productions we liked, and, with some trepidation, call them the "Top Ten".   

What makes a TOP TEN list?  We think it’s a production or performance that dares to take a chance on being a little different – where the theme or topic is slightly off the beaten path and the presentation shows unique imagination and creativity.  It combines the talents of the cast, the director, author and stagehands to bring the audience an experience that lingers long after the final curtain and stimulates discussions.  

As before, our list is presented alphabetically, rather than qualitatively.  Of all the productions reviewed, we liked these best in 2003!  

PLAYS

Production 

Director 

Company 

Abraham Lincoln - Two Miles a Penny

John Herzog

Wind Chime Productions

Albert Hall

James Kerwin

Lone Star Ensemble

Dancing on the Edge

Denise Devin

Zombie Joe’s Underground

Dead Eye Boy

Anthony Meindl

Meta Theatre

Journey to Topaz

Carin Heidlebach

Masquer’s Cabaret

The Hostage Stephanie Shroyer The Alliance Repertory Company

The Nun and the Countess

Odalys Nanin

Macha Theatre Company

Woman of Independent Means

Norman Cohen

Freemont Centre Theatre

Women of Juarez

Ruben Amavizca

Grupo del Teatro Sinergia

ZHX Soundscape

Rob Adler

Hothouse Spontaneous Theater Conservatory

 PERFORMANCE BY A FEMALE

PERFORMER 

CHARACTER 

PRODUCTION 

Beth Fisher 

Fool 

Lear’s Daughters 

Lindsay Frame

Shirley - Mother

Dead Eye Boy

Pat Hodges

Pat and Friends

Bessie and Good Friends

Mette Holt

Lila

A Loss of Roses

Lisa Layng

Bess Steed Garner

A Woman of Independent Means

Roye Mae

Yuki Sakane

Journey to Topaz

Veronique Ory

Babe 'Magrath' Botrelle

Crimes of the Heart

Amy Raasch

Wendy

Singing Lessons

Yolanda Romersa

Paloma

Paloma

Rainey K. Taylor

Wyler Benoit

Sculptress of Angel X

 

PERFORMANCE BY A MALE

PERFORMER 

CHARACTER 

PRODUCTION

Ed Cunningham

Petruchio

Taming of the Shrew - Zoo District 

Anthony L Gilardi

Aldo

Italian American Reconciliation

David Hollaway

Nicely Nicely Johnson

Guys and Dolls

Rick Jarrett

Rick Jarrett

Curtain’s Up

Ed F Martin

Willum

The Nerd

Gregg Marx

Gregg Marx

Cinegrill - "Wet Night-Dry Martini"*

Steve Matt

King Lear 

King Lear  - Theatricum Botanicum Prod.

Alejandro Patino

Immigrant father

Tropical America

Ed Trotta

Abraham Lincoln

Abraham Lincoln Two Miles a Penny

David Wilcox

Ted

Singing Lessons

Comments? Write to us at: Letters@reviewplays.com 

* Full title: “Wet Night . . . Dry Martini” “Love: Shakin’ . . . Stirred . . . & on the Rocks”

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